• Cable Street – Review

    Extra, extra read all about Cable Street, a new political musical set in the 1930s; which intertwines romance and a modern day walking tour in the East end of London. Tim Gilvin’s songs and Alex Kanefsky’s script tackles important themes such as Facism, Anarchy and Socialism. Read more

  • King Lear – Review

    This expansive production of King Lear proves compelling and expertly crafted. Coming in at a whopping three hours and thirty minutes it earns it’s runtime with the exploration and depth we get to see from character and conflicts. Read more

  • Just For One Day – Review

    Live Aid 1985 is such an important moment in not just musical nostalgia but also world history. That’s the reason why London’s prestigious Old Vic has decided to create a production dedicated entirely to the event. Read more

  • Chris McCausland: Yonks

    Turn your television to a comedy panel show these days and the chances are you’ll see Chris McCausland. An in-demand comic who appears regularly on TV & Radio but now he’s embarking on his current UK tour, ‘Yonks’. Read more

  • The Merchant of Venice 1936 – Review

    This revival of The Merchant of Venice feels timely and well chosen. Given current political and social climes, amidst Brexit, a rise in antisemitism and the far right, as well as global conflict this piece resounds with a crash in a centre of London location that is quite literally underground at the Criterion Theatre. Read more

  • Hir – Review

    Disorder and mayhem are at the core of this complex revival of Taylor Mac’s black comedy Hir pronounced ‘Here’. Trauma is at the forefront of each character’s story and this production highlights how it affects everyone differently. Read more