• Death of England: Delroy – Review

    Death of England: Delroy at @sohoplace is a searing, dynamic one-man show that delves deep into the complex intersection of race, identity, and Britishness in contemporary society. Starring the electrifying Paapa Essiedu, this production is an intense and gripping exploration of what it means to navigate life as a Black man in modern Britain. Read more

  • Shrek The Musical (London) – Review

    Shrek The Musical at the Eventium Apollo is a delightfully whimsical adaptation that brings the beloved green ogre to life with a perfect blend of humour, heart, and spectacular performances. From the moment the curtain rises, the production captivates with its vibrant set design, catchy tunes, and endearing characters, making it a must-see for audiences… Read more

  • Death of England: Michael – Review

    Death of England: Michael at @sohoplace is a raw, powerful exploration of identity, grief, and the complexities of modern British life. As a follow-up to the critically acclaimed Death of England series, this solo performance dives deep into the psyche of Michael, delivering a visceral theatrical experience that is both intensely personal and universally resonant. Read more

  • 39 Steps – Review

    39 Steps come home to the West End after a break in which it was much missed. Just a short walk from it’s original home at the Criterion Theatre this latest production of the comic caper takes up residence at The Trafalgar Theatre. Read more

  • Hello, Dolly! – Review

    Bette Midler and Barbra Streisand are just two of the greats to have played the title role in Jerry Herman’s 1964 musical, ‘Hello, Dolly’. Now the baton is passed on to Imelda Staunton (newly Dame Imelda) and she gives a true powerhouse of a performance, which is an absolute delight to watch. Read more

  • Boys From The Blackstuff – Review

    Adapted by James Graham from Alan Bleasdale’s hit 80’s TV show, Boys From The Blackstuff hits the West End’s Garrick Theatre from the National Theatre and the Royal Court Theatre, Liverpool directed by Kate Wasserberg. As poignant today as it was 40 years ago, it follows a group of former tarmac layers, who are now… Read more