The most wholesome show (and bear) has found its home in London’s iconic Savoy Theatre. Paddington the Musical is not just sweet from the marmalade sandwiches eaten within the show. This show has a great, big heart at its core.

Paddington the Bear was brought alive by Michael Bond more than 60 years ago in a series of children’s books – following the story of a bear from Peru. Paddington the Musical (book by Jessica Swale and music and lyrics by Tom Fletcher) is based upon the book A Bear Called Paddington, and this production is the next tale for this iconic bear, following suit after the much-loved and successful film trilogy. 

Each actor on that stage gives a ten-out-of-ten performance, with perfect comedic timing, amazing vocals and heartwarming moments. Each character is vividly brought to life. Abbie Purvis’s impeccable physicality, while performing Paddington, impressively conveys his feelings and emotions, partnered with James Hameed, whose almost sweet singing voice perfectly emotes the longing and need Paddington feels, realistically showcasing Paddington’s need to just belong.

However, it is Victoria Hamilton-Barritt who is the scene stealer for me, which fits her villainous role of Millicent Clyde. Millicent’s narrative arc entails her escapade trying to catch Paddington to exterminate him for her museum. Her performance of “Pretty Little Dead Things” is nothing short of spectacular. In this role she is able to showcase herself as a triple threat – dancing, paired with delicious vocals and impressive, perfect comedic timing.

This show is so many things: it’s magical, it’s hopeful and most of all it is quintessentially British – including taxis, taxidermy and iconic landmarks such as Tower Bridge. We’re welcomed, or should I say transported, back outside the theatre into the streets of London. As we’re welcomed into the auditorium with eye-catching, awe-inspiring sets and scenery (designed by Tom Pye) with Mr Gruber’s shop of Curiosities looking like a drawing straight out of a ‘Brambly Hedge’ story. Your interest will be piqued from the beginning and will never fade thanks to the sublime immersive effects (designed by Ash J Woodward) which beautifully encase the pillars/walls on both sides of the stage from floor to ceiling. Offering imagery such as floral goddesses, bright comic strips and landscapes of London’s iconic skyline.

Tom Fletcher’s songs are wonderfully written, with gorgeous, simple lyrics, which will no doubt target the younger audience members. I have to admit I left the theatre humming the melody and singing the chorus to the big song in the show The Explorer and the Bear. Fletcher’s songs are equally matched with Tom Player’s marvellous orchestration. I do have to give a shout-out to the insanely talented musicians, who are tasked with a mammoth amount of music. They are the unsung heroes of this show.

I will be astonished if this show doesn’t win many awards, as it deservedly does. This story is not just about a bear’s adventure around London – It is far more profound than that. Highlighting the importance of kindness, acceptance and community, which is full of people from all different backgrounds, religions and ethnicities. I left the theatre hopeful; reflecting on the message the show is portraying – which made me realise that while London is full of strangers, they are really friends we just haven’t met yet.

Paddington The Musical is currently running until 14 February 2027 at the Savoy Theatre.