The Globe’s Pinocchio is an energetic production that, while not without its flaws, is worth a watch if only to ignite the inner child within. This new adaptation makes imaginative use of the Globe’s unique space, embracing its openness with playful staging and audience interaction.

Some of the costume and puppetry choices are clever, but others can be distracting, pulling your attention away from the story rather than enhancing it. And while the show’s irreverent, fourth-wall-breaking style is fun in spots, it sometimes clashes with the emotional stakes of Pinocchio’s journey. However, Lee Braithwaite is outstanding as the voice of Pinocchio in the most joyous way with his childlike energy and soaring range.

A particular standout is Steven Webb as Giacomo Cricket and The Coachman. His work is sharply comic, combining physicality, vocal control and excellent timing. Webb’s ability to shift seamlessly between playful mischief and darker, more unsettling moments gives the production some of its most memorable scenes and helps anchor its fluctuating tone. It’s worth mentioning Lucy McCormick’s hilarious performance as both Cat and Blue Fairy. Her comedic timing is spot-on and although both characters are completely ridiculous at times, she still brings such life to them both.

The musicians are also a real strength. Positioned visibly within the production, they bring vitality and momentum to the show, supporting the action with precision and flair. The score (Jim Fortune) is delivered with clarity and energy, and the musicians’ responsiveness to the performers onstage gives the production a strong sense of cohesion. Even when some songs feel overly busy or lyrically dense, the musicianship ensures the musical elements remain engaging.

The ensemble as a whole bring huge commitment, but the production can feel overstuffed, with a narrative that moves rapidly from scene to scene. While the musical numbers are lively and varied, not all of them land dramatically, and the pacing occasionally falters as a result.

All in all, this production will likely charm younger audiences and anyone who loves interactive, quirky theatre. But if you’re hoping for a deeply moving, tightly told version of the classic tale, this one might leave you wishing for a bit more substance behind the sparkle.

⭐️⭐️⭐️