The story of Benjamin Button may be a curious one, but after casting off at Southwark’s 8 years ago, Benjamin Button set sail for London’s West End, finally anchoring itself at The Ambassadors Theatre after a long 17-year voyage. I believe, undeniably, that The Curious Case of Benjamin Button had found its home.

F Scott Fitzgerald’s tale of a man who ages in reverse is one about doing the most with the life and time you’re given. Jethro Compton relocates Fitzgerald’s Jazz age story from the shores of America to the shores of a small fisherman’s village in Cornwall. The story and life Compton has created delves into Cornish myths and old wives tales that run deep in English history. But most importantly, this is a story about home. Darren Clarke joins Compton’s writing a rich folk score that is in keeping with its setting. A highlight for me was ‘A Little Life’,’ which is vivaciously brought to life by the incomparable ensemble.

This is clearly a passion project for Jethro, who, as well as writing the book & lyrics, is also the director and stage designer. A highlight in Jethro’s direction is having the gender-led roles reversed, with supporting dental characters being portrayed by male cast members and vice versa. The reserved role felt like it was echoing the reverse of age, which is the whole premise of the story.

Mirroring start of life and end of life Jethro’s ingenious multifunctional staging allowed the story to be shifted from land to sea, America, and back home. The staging added sweet elements into the scenes in moments such as having a sandbox signifying the beach and a source of water for the sea.

Chi-San Howard‘s choreography beautifully reflects the ebb and flow of Benjamins life. It flower perfectly around the central story and seamlessly connects the dots of each chapter together. The swirl of the ensemble created a gorgeously blended movement and music.

The heart of the show and the selling point is the incredible group of actor/musicians. Each taking it in turn to play all the instruments. This created a strong connection between each actor on that stage, and when they all played together, it was much a joyous image to witness. At the helm of this beast (the Kraken) of the show is John Dagleish and Clare Foster who both continuously and effortlessly impress. Dagleish’s timid, shy beginning of Benjamin was perfectly matched with Foster’s brash, confident Elowen. Both were every bit as captivating as each other, with sparks flying; their chemistry was the anchor the story. And my gosh was it an emotional one. Dagleish’s physical and vocal transition of Benjamin de-ageing was sublime and treat to witness. His shift in ages were nuanced, subtle and realistic. His changes were mostly shown in the way he moved, held himself, and spoke – all of which were so seamless that you almost forgot he was de-aging.

I could go into great detail on each and every character on that stage, but my words would not do this show justice. All I will say is with Jethro’s story and Clarke’s music, this show is very special indeed and it but be shame to miss it. Echoing the relationship mentioned in the show of the moon and water, they work together in beautiful harmony.

The Curious Case of Benjamin Button is currently booking at the Ambassador’s Theatre until 15th February 2025.

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