Live Aid 1985 is such an important moment in not just musical nostalgia but also world history. That’s the reason why London’s prestigious Old Vic has decided to create a production dedicated entirely to the event.

It’s a story consisting of Bob Geldof’s radical idea to try to end the famine and civil war of Ethiopia by bringing together huge names from the world of Rock & Roll; firstly to record a Christmas single and secondly to stage one of the biggest rock concerts ever attempted.

The production is simply glorious. The music, vocals and intricate harmonies of the twenty-strong company are sublime. The songs come thick and fast with wonderful, varying choices from the era. U2, Queen, The Police and Paul McCartney are just a few of the legends we are treated to – and, of course, The Boomtown Rats’ ‘I Don’t Like Mondays’ has to get an airing. The selection is perfect and the audience constantly tap and nod along, clearly loving every moment. The show gives a complete new meaning to the phrase ‘jukebox musical’ – the audience really is gifted to a different song every few minutes. The arrangements by Matthew Brind are exquisite – an acapella Bob Dylan number in Act 2 a real highlight.

The piece has an ensemble feel with performers sitting at the rear of the stage on moving stadium-style seating when they’re not performing, although always chipping in with beautiful backing vocals. Each cast member is armed with a handheld microphone, displayed proudly on their person at all times. Scenes are interwoven among the music to tell the story of the people that made it all happen – from sound technicians to producers and fans. John O’Farrell’s book is definitely the weakest part of the show. Some of the script is slightly cringeworthy but thankfully another epic tune is always nearby.

The cast give strong performances and are led triumphantly by the experienced Craige Els as Geldof. His arrogance and sheer belief in his crazy dreams bring good comedy to the piece and a thought-provoking monologue at the end of Act 1 was delivered both delicately and flawlessly. Jack Shalloo as Bob’s right hand man Midge Ure is a shining star with a superb voice to match, similar to Naomi Katiyo as Generation Z ‘Jemma’. Joe Edgar’s ‘Tim’ also pitches his comedy perfectly and brings quintessential light relief to proceedings.

Notable mentions must also go to the six musicians who are positioned proudly at the back of the space, yet regularly venture forward and take the moments they are given to shine with pride. This, together with Gareth Owen’s electric sound design, helps to give the feel of a real rock concert – even the stage management are brought to the stage for a rare bow in the finale.

It’s a heroic piece of theatre – I’m not sure the messages are delivered correctly but you simply can’t help but get swept away by it’s music.

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